A FZ-1 Fuzz-Tone for Francesco in Italy. This version has a switch to choose between the stock output capacitor and one of a larger value for more bass.
Doom Bender (modified Tone Bender mk1) for Craig in the states. This is the Deluxe version with a tone control allowing you to cut some of the bass from the fuzz sound.
Small box Doom Bender (bassier and louder Tone Bender mk1) for AJ in the UK. New graphics on a lovely yellow case powdercoated locally by Bournes of Digbeth. I am getting all my cases powdercoated locally now and currently have a stock of larger cases in orange and also hammerite blue. Will hopefully get some more of these smaller cases done as well soon.
Rangemaster for Craig in the USA. Stock circuit but with an added input capacitor blend control, lets you go from trebleboost to a more full range boost. Mullard OC44 transistor and a eye catching orange case!
Elka Dizzytone for Henry Kaiser. Phenolic board circuit construction, transistors are 2 x AC106, and a SFT308, red hammerite prism wedge enclosure, decal labelling. A great looking pedal that sounds extremely close to the original I have borrowed but with less background noise.
FZ-1 for Scott in the USA, wooden Turret Board construction, carbon comp resistors, shielded audio path, full size 24mm pots, gold hammerite prism wedge style enclosure from pedalenclosures.com.
I've probably put more hours into testing the Zonk Machine than any other circuit! It seems to have its own rules with assoociated voodoo that I simply will not go into. Anyway, here's a version I did to sell (to make up for the hours of research and development I've put into getting this circuit sounding remotely good), 9 months since I started working on it, but it sounded so cool at our last Windscale rehearsal that I think I'm going to be keeping it.
A booster based around the Russian GT308 germanium transistor, more info here. Supposed to be for Bass guitar but sounds good on guitar also. Cuts bass frequencies, and boosts some high frequencies. Some frequency info from the linked thread above - 10 Hz: +2dB, 63 Hz: 0 dB, 100 Hz: -1,6 dB, 200 Hz: -8,5 dB, 350 Hz: -25 dB (notch), 500 Hz: -14 dB, 1000 Hz: -6 dB, 1500 Hz: -3,5 dB, 3000 Hz: -1,5 dB.
Doom Bender (a louder more aggressive version of the Tone Bender mk1 circuit) in a gold hammerite prism wedge style enclosure from pedalenclosures.com. Done in the style of the original 1965 mk1s with the circuit made up of the components mounted directly to Phenolic board. The clearcoated decal labelling also echos the original mk1 look.
Just got this nice email from a customer I made an FY-2 for a while ago - "Just wanted to drop you a quick line about the FY-2 you built for me. It has, without a doubt, become my "go to" fuzz pedal. Every boost I put in front of it sounds great, every modulation effect I put behind it sounds great, and it just flat sounds great directly into my tube amp. I have several other fuzz pedals, but every time I have an idea for a sound I want or if I just want to wank around, I end up reaching for the FY-2. Likewise, whatever I'm running through it--tape loops, synthesizers, my old reverb spring--the FY-2 just takes it to another dimension. Fantastic!"
Here's a sneak preview of the fz-1 I have been working on with the new prism 1 case. Going to do some labelling tomorrow, looks cool even without any labels!
I have been making guitar pedals since 2004. I have made Guitar Pedals for The Mummies, Neol Davies (The Selecter), Seeland, Henry Kaiser, Slomatics, Omnia Opera, Broadcast, Conan, Seeland, Sian Alice Group, Booger Red, Fly Garrikk, and many more. I also produce, and perform in, the Circuit Bent Drone Rock band 'Windscale' - http://soundcloud.com/windscale, and the Electro-Funk band 'sol_dat'. The Ghost Effects website is at www.ghosteffects.co.uk